Advertising Wants To Covert Our Desire For A Better Life Into A Desire To Buy Something Art Fairs: Fan The Embers Of The Avant Garde; Take Over The Role Of The State; Protect Arts Autonomy; Spurn Commodification For The Benefit Of The Art Market
Advertising Wants To Covert Our Desire For A Better Life Into A Desire To Buy Something, Commissioned by DOT, for the Arena Festival of Contemporary Art, 1 – 16 November 2008. Freee made the work Advertising Wants To Covert Our Desire For A Better Life Into A Desire To Buy Something which was displayed on a 96 sheet billboard site at the corner of Checketts Road and Little Avenue, Leicester LE4 7QN from Monday 3rd – Sunday 16th November 2008.



Art Fairs: Fan The Embers Of The Avant Garde; Take Over The Role Of The State; Protect Arts Autonomy; Spurn Commodification For The Benefit Of The Art Market, photographs, poster, Commissioned by Eastside Projects for Zoo Art Fair, London, October 2008.
Protest Drives History How To Be Hospitable
Protest Drives History, Nought to Sixty, ICA London, UK, June 2008, poster installed in ICA Bar, June 2008 – January 2009.



How To Be Hospitable, Collective Gallery, Edinburgh, 5 April – 17 May 2008.
The First Condition Of An Ecological Politics Is That It Halts The Commodification Of The Planet By Putting All Landowners, Exploiters, Entrepreneurs And Bureaucrats Out Of Business How To Make A Difference
The First Condition Of An Ecological Politics Is That It Halts The Commodification Of The Planet By Putting All Landowners, Exploiters, Entrepreneurs And Bureaucrats Out Of Business, performance, 2007, Fusion Now, The Rokeby Gallery, London.



How To Make A Difference, 2007, International Project Space, Birmingham.
Don’t Let The Media Have The Monopoly On The Freedom Of Speech Protest Is Beautiful
Don’t Let The Media Have The Monopoly On The Freedom Of Speech, poster, 2007; for solo exhibition Protest is Beautiful, 1000,000 mph Gallery, London. Also shown, How to Make a Difference, IPS, Birmingham.



Protest Is Beautiful, silk flowers, 2006, 1000000 mph Project Space, London.
How To Talk To Public Art Have You Heard The One About The Public Sphere?
How To Talk To Public Art, 2006, various locations around Manchester. Comissioned as part of BBC’s Power Of Art series. Have You Heard The One About The Public Sphere?, Video, 2006, Hull Central Library. Commissioned by Hull Time Based Arts as part of If Your Name’s Not Down, You’re Not Coming In. Curated by Esther Windsor.



How To Talk To Buildings Freee@Meet The Interrupters
How To Talk To Buildings, Video, 2006, Commissioned by ARC, Hull, UK. [email protected] The Interrupters, Text/photograph, Whitechapel Art Gallery, 2006. To mark the publishing of Gavin Wade’s non-simultaneous novel ‘The Interruptors’.



Artists Cannot Bring Integrity To Your Project Unless They Provide A Full And Candid Critique Of Everything You Do The Neo-Imperialist Function Of Public Art Is To Clear A Path For Economic Expansion
Artists Cannot Bring Integrity To Your Project Unless They Provide A Full And Candid Critique Of Everything You Do, Performance/Text/photograph, EAST International, Selectors Dirk Snauwaert & Jeremy Deller, Norwich Gallery, July – August 2006. Presented by B+B at Art and Architecture Journal’s Conference Art in the City – Creativity, Property and Cultural Regeneration, London, November 2005.



The Neo-Imperialist Function Of Public Art Is To Clear A Path For Economic Expansion, Text/Billboard. Commissioned by Gavin Wade for Public Structures, a special project for the Second Guangzhou Triennial BEYOND: an extraordinary space of experimentation for modernization curated by Hou Hanru, Hans Ulrich Obrist and Guo Xiaoyan.
31. What Are Aesthetics?/The Aesthetic Function Of Public Art The Economic Function Of Public Art Is To Increase The Value Of Private Property
31. What Are Aesthetics?/The Aesthetic Function Of Public Art, Text/Poster
Curated by Gavin Wade as part of his Strategic Questions projects. Venice Biennale, 8 June – 6 November 2005. Location of artwork: Ponte dei Barcaroli, on the Calle dei Frutariol, San Marco district, Venice Biennale, and free poster/publication available at various Biennale sites.



The Economic Function Of Public Art Is To Increase The Value Of Private Property, Billboard/Text/Photograph. Located at the corner of Corporation Street & Alma Street, Sheffield S3. 6 April – 20 April 2004. Originally commissioned by Ixia (formerly Public Art Forum).
The Social Function Of Public Art Is To Subject Us To Civic Behaviour The Function Of Public Art For Regeneration Is To Sex-Up The Control Of The Under-Classes
The Social Function Of Public Art Is To Subject Us To Civic Behaviour, Text/Poster/Photograph. Curated poster project with Insertspace entitled It’s the only life I know. Also included artists Oliver Ressler and Mark Hutchinson. Located in a display case on the side of the empty plinth in Trafalgar Square, the plinth has become a regular venue for projects that declare an interest in public art.



TThe Function Of Public Art For Regeneration Is To Sex-Up The Control Of The Under-Classes, Text/Poster/Photograph. Roding Road, Homerton High Street, Hackney, London. August 2005. Commissioned by B+B for Real Estate: Art in a Changing City, an exhibition curated by B+B. Part of London in Six Easy Steps at the ICA, 23–28 August, 2005.
The Three Functions
The Three Functions, Text/Posters/Publication. The Three Functions project has been developed for the curtorial project Vitrine. Leeds and was on show from 13th May – 8th July 2005. This coincided with Situation Leeds: Contemporary Artists and the Public Realm, May 2005.



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